After a few days of practice and frustration, I finally did it. My technique wasn’t perfect, but I could now spin a Japanese top, my new favorite toy. And I wasn’t alone. For the time being none of my students were thinking of their toys at home.

Japan’s traditional games are something I knew almost nothing about when I arrived in the country. Seven years later, I am still learning of new ones. From kite flying (and battling) to hanetsuki (think badminton) to karuta (a card game relying on recognition speed) Japanese culture has a wide variety of old-fashioned games to offer. But they are under threat.

“Children these days just want to play with video games or expensive toys,” a coworker said.

“They aren’t interested in the games we used to play,” one grandparent lamented.

I can’t disagree. Just go to a mall or ride a train, just about anywhere kids can be found playing with portable games or flashy new toys. I’ve even come across kids at playgrounds, sitting on benches and mashing buttons, absorbed in their miniature screens.

Perhaps the best proof of portable gaming’s popularity is the success of the Nintendo DS which by 2013 had moved almost 33 million units in Japan alone. With a child population estimated at about 17 million, that’s nearly enough units for every child to own two! Of course that isn’t true, gaming is popular with all ages. But it shows just how popular portable gaming has become.

As a result, traditional gaming is fading in the face of new technologies. But the good news is, we can enjoy both. And thanks to Japanese school curriculum many students do.

Japanese kindergartens for example, make efforts to preserve Japan’s gaming traditions. Since toys and games from home are prohibited at school, children have no choice but to use what’s available. A simple piece of paper can be turned into hundreds of different things via another Japanese tradition- origami. Give a child access to cardboard, newspaper and tape and what they come up with is amazing. I’ve seen makeshift swords, helmets, Kamen Rider (a perennial Japanese hero series) belts and even haunted houses.

On special occasions the children are given more complicated materials to work with. At my schools we decorate kites and umbrellas. Before every New Years the children are given plain wooden tops. The children give them custom paint-jobs before working on technique. The schools hold a “Koma Taikai” or “Top Contest” to give the students extra motivation.

The activity stirred memories of my own. When I was a child I had a different type of top. By twirling the stem between the forefinger and thumb and releasing it, the top would spin. Since there was no challenge my interest in tops didn’t last long.

My kindergartens have those types of tops too. The younger children played with simple tops to develop their skills. But the older class used more sophisticated tops. These tops came with a string that is wrapped around the toy to give it spin.

The wrapping process is complex and takes some practice. First, the knotted end of the string is wrapped around the upper stem once, using the tension created by the knot to hold it in place. Next, the remaining length of the string is pulled to the tip underneath and wrapped around it, careful to maintain the tension holding the knot in place at top. Finally the string is wrapped around itself in a spiral around the bottom of the top, usually until the entire bottom is covered by the string.

Now the top is ready for action. The remaining string is secured around a finger on the throwing hand, usually the pinky. With a sweeping forehand motion like in tennis or when skipping a stone across water, throw the top to the floor. The unraveling string makes the top spin.

On my first attempts even wrapping the string was a challenge. At that time a successful throw seemed like too much to hope for. But with my students encouragement and tutelage, I continued to try.

Finally able to make it spin, I took on all challengers- whose top would outlast the rest? I felt like a real Poke-master, my top substituting for the Pokemon. Time flew by. The experience was extremely satisfying – that is until we were introduced to another, more complicated top.

It happened at the Koma Taikai. A group of elderly gentlemen came to watch. After the contest ended, they brought out some toys of their own. First came a bucket. Next a piece of canvas which was draped over the bucket, creating a shallow bowl shape.

“Now everyone watch!” one of the men said. He held a small piece of metal in the air. “This is a bei-goma.” The other men had them too.

“They’re going to battle on that!” One student shouted pointing at the bucket. He was right. The men wrapped strings around the metal battle-tops and threw them spinning into the canvas bowl. It was Thunderdome without the dome. The tops knocked into one another, until only one remained.

Afterwards, they taught us how to use the beigoma which are more difficult than the tops we had grown accustomed to. The beigoma had no stem at the top and almost no tip at the bottom. The top of the beigoma were engraved with images. Among the men’s collections there were planes, butterflies and various kanji.

Since it lacks a stem, the beigoma has a unique wrapping technique. A beigmoa’s string has two knots. Instead of securing the string around the stem, the string is wrapped around the top and then secured around the two knots at the bottom. The string is coiled around these knots, creating the same swirling pattern as the wooden tops. The throwing motion is also different. A backhand motion is preferred with a quick flick instead of the long unwinding release characteristic of the wooden tops.

To battle one has to be precise, keeping the top in the canvas bowl. The top that remains spinning in the bowl the longest, often casting its opponents out, wins.

There are several types of beigoma with various widths, sizes and shapes. Some have deep swirls on the bottom while others have almost no markings at all. Some are a few centimeters tall while others clear only a centimeter. The size varies from as small as a 1 yen coin (a US penny) to the size of 500 yen (a US quarter). Aside from a round beigoma, the rest I saw were octagon in shape.

Beigoma have names that reflect their physical characteristics. Taka-ousama (高王様) is tall and heavy as it’s name, Tall King implies. Bei-ousama (ベ王様) is the smaller of the kings while Chuu-ousama’s (中王様) size lies somewhere between the other two. There’s Maru-roku (丸六) which, as maru implies is round.

Look carefully at the swirly design at the bottom of the pictured beigma. Does the swirl remind you of anything? Beigoma were once called baigoma (貝独楽) or “shell toys.” That’s right, long ago real shells were used as tops. The swirls on the bottom of the metal beigoma are a reminder of their natural past.

The whole experience left me feeling like many teacher and grandparents. It would be a shame if traditional games are forgotten, particularly Japanese tops.

But there’s hope. As long as kindergartens and Japanese school’s put an emphasis on games and activities with cultural heritage they will not be forgotten. Toy stores and 100 yen shops continue to carry traditional toys, which are cheaper than video games or fancy new toys – I bought four beigoma for 500 yen (about 5 US dollars). Manga and anime also introduce the games to new generations. Just as “Hikaru no Go” introduced many Japanese children to the game of Go, the Beyblade series brought tops, albeit fancy ones with techniques launchers, back into the limelight for several seasons.

In the month before the contest, talk of tops ruled the day. Students brag about how they practice at home and how family members teach them special techniques. So maybe there’s no need to worry- tops are here to stay. And that’s great because although I was able to spin the beigoma on the floor, I failed to land it in the bowl. And that’s great because it gives me another challenge to look forward to next season, though I may just look like I’m playing with toys.

Bonus Wallpapers!

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Sources:

• Beigoma.com
• Galiton Toy Shop
• Hyougo History Station
• indexmundi: Japan Demographics Profile 2013
• Matukazekouen
• Nintendo Consolidated Sales Transition by Region

Aight maggots. It’s time to edumacate you in the fine art of UFO catching. I’m about to present to you tips on how to net yourself a cute stuff j-character without spending a lot of moolah. Koichi spent ¥5,000 figuring out the tricks of the trade so the lot of us wouldn’t have to. But before I indulge you with such delicious tips, I’ll bore you with some background information on these arcade machines (sorry, nothing is free!).

In the US (and maybe Canada?), you may be familiar with its cousin generically named the claw vending machines. Typically the claws are three to four prongs and have ridiculous low gripping power. Prizes are positioned in the prize area in such a way that the only way of succeeding is to grab onto the object and hope that the prong latches onto something or its sad gripping power is just barely enough to carry it to the outlet.

So what makes the US version different from the Japanese? Not much. There is still the weak gripping power. However, the first thing you’ll probably notice is the two-prong claw. TWO-PRONG?!?!?! How the hell are you suppose to grip around an object with just two prongs? Well, you don’t for the most part. Here is where the main difference lies: Majority of the time when looking at the sea of prizes in the casing you’ll find the “winnable” prize sitting almost right next to the exit hole at a higher elevated position. This is done on purpose. The Japanese arcade peons like to give you a chance of winning. They WANT you to win. All that is required is to understand the mechanics of the two-prong claw.

The trick is the utilization of the force from the prongs when it open/closes/descends and the use of gravity.The claw typically opens up midway descension and closes before it ascends back on. You’ll also notice that the claw has a wide range in the open position. The use of the claw depends on the positioning of the object.Sometimes you’ll need to pull the prize towards the hole by either latching a prong to some opening on the object or position it over the object by some offset amount so that when the claw closes it’ll push the object towards the exit . Or you’ll have the descending prong push straight down on the objects side so the weight gets shifted, letting gravity do its job.

Check out this video for more information:

[yframe url='http://www.youtube.com/watch?v=NUFpxulU8rg']

Games typically run at ¥100-¥500 for one to three plays, depending what is at stake.

Oh, one more thing. Don’t bother with the UFO catchers with AV DVDs (READ: Mystery person pictured above). You are better off saving the yen and purchasing them at a “DVD/CD/本屋” (you’ll know what I mean if you ever attempt to visit one).