The information available on Japanese animation before 1950, at least in English, is limited at best and conflicting at worst. The actual animated films themselves as well as records of who created what and when has mostly been destroyed. This is due to 1923’s Great Kanto Earthquake and later the American invasion of the islands. Aside from that, animation was treated as disposable entertainment, as was most animation in the rest of the world at that time. Thus, little has survived.

Thankfully, most of the animated work that remains has been preserved digitally and is available online! It should be mentioned that most of the silent animation presented in this article is “incomplete” in that it lacks benshi narration. When film began to spread throughout Japan, rather than accepting it as an evolution of photography as the west did, it was viewed as an extension of theater. Since kabuki, noh, and bunraku theater traditions all had narrators, naturally film needed one as well. Enter the benshi, a narrator who not only read the aloud the onscreen intertitles, but also described the film’s events in real time and gave voice to each and every character. Two of the films embedded in this article benefit from recorded benshi narration. The rest are “incomplete”.

While I will be sprinkling bits of information I’ve uncovered regarding the roots of anime, make sure to give special attention to the cartoons themselves. What awaits you is a moving history of initially simplistic paper cut-outs giving way to experimental art, funny animal cartoons, sing along-songs, chalk animation, traditional folktales, and full-length feature films. And this is all before Tezuka. Welcome to an often overlooked world. Enjoy yourself.

The Three Fathers (1907-1923)

Film first hit Japan in 1896 and had flourished into burgeoning culture by the 1910s, complete with film criticism. Along with the initial wave of films from the west came Western animation. It was only a matter of time before Japan, with its rich visual culture, began experimenting with its own animated creations.

The earliest example (speculated to be the oldest surviving anime) is Katsudo Shashin (Moving Picture, 1907?-1918?).

The boy is writing the kanji for katsudo shashin which translates to “moving picture” in English. It seems that in these early years, both Japan and the west were amused enough with the novelty of an image in motion.

In the early 1900s, animators experimented with inexpensive ways to bring their visions to life. Katsudo Shashin and many others were drawn directly onto the strips of film from which they were projected, making these animations one of a kind. This and other early animation techniques were pioneered by Oten Shimokawa, a political cartoonist for Tokyo Puck magazine. His first animated work, Imokawa Mukuzo Genkanban no Maki (The Story of the Concierge Mukuzo Imokawa, 1917) was long believed to be the first animated short made in Japan, though it is likely still the first short ever screened for a wide audience.

After creating only five shorts, chronic health problems forced Shimokawa into early retirement. His contribution, however, gives him the honor as one of the three fathers of early anime.

The second of the three fathers is Junichi Kouichi, who holds the honor of the oldest confirmed anime in existence (Katsudo Shashin could have been made as early as 1907, but there is no real proof as to its age). Namakura Gatana (Dull Sword, 1917) is a two minute short about a samurai attempting to test his newly purchased katana on innocent townspeople and failing miserably.

This film was thought to be lost until a copy was found in an Osaka antique shop in 2008. Kouichi animated this short using paper cut-outs laid out on a table which he moved and changed to create the characters’ movements. This was a technique that would later be taken to a level of artistic excellence by the Japanese animation directors of the 1930s.

Junichi Kouichi began creating political propaganda in 1924 and retired from animation in 1930.

The third father of this generation had arguably the most impact on the generation that followed him, mostly because he had the largest body of work and many animators of the 1930s were his students. Seitarou Kitayama created shorts focusing on Japanese folktales like Sarukani Gassen (Monkey-Crab Battle), Urashima Taro, and Momotarou. Aside from creating anime’s first commercials and documentary, Kitayama stood apart from his contemporaries as the only animator to found his own studio.

Kitayama Eiga Seisakujo opened in 1921 and gave jobs to a slew of talented individuals including Sanae Yamamoto. Sadly after only two years, most of Kitayama’s studio was destroyed in the Great Kanto Earthquake of 1923. He left Tokyo for a fresh start in Osaka the next year, but eventually abandoned animation completely for a career shooting newsreels.

Experimental Artists (1923-1939)

With the destruction of Kitayama’s studio, his team of animators struck out on their own to seek prosperity in personal ventures. But success did not come easily. Throughout the 20s, animation directors faced stiff foreign competition from larger, richer, and more impressive studios overseas. The imported cartoons had already made money in their home countries, so they were sold cheaply to theaters in Japan. Animation artists could not implement the expensive techniques used by Disney and still sell their cartoons at a competitive price. This made the paper cut-out methods introduced by Junichi Kouichi an absolute must. This limitation, however, led to some extremely innovative cut-out films by two men, Yasuji Murata and Noburo Ofuji.

Yasuji Murata began working at the Yokohama Cinema Shokai in 1923 creating the Japanese intertitle cards for imported western films. After seeing various western cartoons, he was inspired to create his own in 1927. He worked almost exclusively for the Yokohama Cinema Shokai throughout his career. His first work to get attention was Doubutsu Orimupikku Taikai (Animal Olympics, 1928) a cartoon about funny animals playing sports. However, one of the best examples of his range and artistic skill is Kobu Tori (The Stolen Lump, 1929).

Kobu Tori

Consider that Disney made Skeleton Dance this same year, and, though technically impressive, it is horrendously boring compared to Kobu Tori. In Kobu Tori, the contrast is moody, the characters are vibrant, the attention to detail more than makes up for the slightly limited movements, and most importantly it’s a story well told! Kobu Tori is a perfect example of what wonders Japanese animators could produce despite their lack of funding and resources.

Because foreign cartoons dominated movie theaters of the time, Japanese animation had difficulty finding a venue in which to be screened. A lot of anime from this period was screened in public shopping areas to generate interest. The Ministry of Education also encouraged Japanese animators to produce films that were educational or socially uplifting, thus allowing them to be screened in schools. This was the case with Yasuji Murata’s Taro-san no Kisha (Taro’s Train, 1929).

Taro’s Train

Taro-san no Kisha (Taro’s Train) is an interesting mix of live action and animation as well as a neat peek into the fashion and homes in 1920s Japan. Also, it teaches kids to not act like insane animals in public, which is a good lesson for children all over the world.

Murata’s film, Oira No Yakyu (Our Baseball, 1930) is a return to the sports setting he first utilized in Animal Olympics. This cartoon mixes the Western funny animal cartoon with Japanese elements, in this case the folktale Kachi Kachi Yama, a story of a fight between a tanuki and a rabbit. This particular YouTube video is a restoration of Oira no Yakyu by Digital Meme which includes benshi narration.

Oira no Yakyu

Oira no Sukii (Our Skiing Trip, 1930) is either a sequel or prequel to Oira no Yakyu, as they were both produced in 1930 and we don’t have exact dates for either. This film has a distinct advantage over its counterpart due to extensive magical transformations utilized by the tanuki and rabbits. Or at least, that’s what I think. This video also benefits from benshi narration.

Oira no Sukii

Murata was a master of cut-out animation with strengths in skill, quality, and consistency. Murata’s opposite was cut-out master, Noburo Ofuji, whose strengths were in innovation and the willingness to take creative risks.

Ofuji became the apprentice of Junichi Kouichi at age 18 and made his first film at age 24. His films are characterized by the use of chiyogami paper. Though this gives his films a distinct Japanese look, the choice to use chiyogami was more practical than artistic. Chiyogami was cheaper by far than drawing on expensive celluloid and made inexpensive paper cut-out animation even more affordable. Even after gaining success and resources, Ofuji continued to use chiyogami as his medium of choice.

Ofuji’s achievements went beyond his aesthetic superiority. He was also an innovator. Though films with synchronous soundtracks had been introduced in the United States and Europe in 1927, they had not yet reached Japan by 1929. This was largely due to opposition from benshi narrators who wanted to hold onto their star status. Though he lacked the resources to create a true “talkie”, Ofuji created the first “record talkie”, in which he put to film an animation that synced up perfectly with an existing jazz record. The venue simply had start the film and the record at the same time and the audience would see Japan’s first sound cartoon, Kuro Nyago (Black Cat, 1929).

Kuro Nyago

One of Ofuji’s most famous shorts is a prime example of the fun-loving spirit his chiyogami animations could create. Mura Matsuri (Village Festival, 1930) is a real treat. It takes the “follow the bouncing ball” sing-along motif and spins it in new directions. This idea was relatively new at the time, having only been introduced five years earlier by Fleischer studios. Ofuji makes his bouncing ball interact with the scenery, transform words into objects, and transform itself into character heads. The song in this film is one I gladly get stuck in my head on a regular basis.

Mura Matsuri

The following year, Ofuji released another sing-along, this time tinted pink and intended to teach children the importance of national symbols, namely sakura. It’s interesting to note that though Haru no Uta (Song of Spring, 1931) is very nationally-focused, the music is undeniably Western. The singer, Kikuko Inoue, was a singer from the Asakusa Opera, which was one of the major channels through which western music was introduced to Japan.

Song of Spring

Noburo Ofuji begins to stray a bit from happy sing-alongs and into more serious territory with Kokka Kimigayo (The National Anthem: Kimigayo, 1931). Made to play along with a record of the national anthem, this film begins to more closely mimic silhouette animation of German animator Lotte Reiniger. The silhouettes in Kokka Kimigayo are cut with amazing detail and the backgrounds are beautifully complex.

Kokka Kimigayo

HOORAY! Now we get into Ofuji’s cartoony stuff! Tengu Taiji (Tengu Extermination, 1934) is a great example of Noburo Ofuji’s foray into cel animation. It’s fascinating to see such familiar cartoon imagery repurposed for Japanese storytelling. This one is similar to a lot of 1930s cartoons, but has samurai, geisha, a cute doggy, and TENGU! I could say more, but you’re better off just watching it.

Tengu Extermination

Our final look at the work of Noburo Ofuji is the film that cemented him as a master of animation in the art world. Kujira (Whale, 1952) is a remake of his 1927 silent black-and-white film, Kujira (Whale, 1927). The 1952 version features cut-outs of colored cellophane arranged on a backlit multi-plane animation table. This allowed him to create intricate backgrounds and transitions. The story explores themes of greed, female suffering, forces of nature, and transformation. It’s a truly beautiful experience.

NOTE: The only upload of this film to the web at the time of writing is by a composer named Ufjar who has replaced the original soundtrack with his own score.

Kujira

Kujira was shown at Cannes in 1953 and gained significant praise from jury president Jean Cocteau and a certain member of the audience named Pablo Picasso. This began Ofuji’s wide acceptance in the international art world.

After Noburo Ofuji passed away in 1961, the Mainichi Film Awards named their prize for animation excellence the “Ofuji Noburo Award” in 1962. The first winner of the Ofuji Noburo Award was none other than Osamu Tezuka.

More From The Thirties!

The 30s produced a wide array of Japanese animation ranging from impressive works of art to weird crumminess. This section presents samples from all parts of that spectrum. In 1931, the first war cartoon Sora no Momotarou (Aerial Momotarou, 1931) was released, marking the beginning of a steady increase in war propaganda until it was serious propaganda time in 1939.

Chameko no Ichinichi (A Day in the Life of Chameko, 1931) was a record-talkie intended to play simultaneously with a phonograph of the same name. Chameko no Ichinichi was a popular song a year before it was animated. The animation is stiffer than Murata’s and much less charming than Ofuji’s, but it does feature the earliest example of product placement in anime. Watch for Chameko’s endorsement of Lion Toothpaste in the tooth brushing scene.

Chameko no Ichinichi

Kori no Tatehiki (Raccoon and Fox Trick Each Other, 1933) is another fun little romp. Certainly one of the best looking Japanese cartoons of the time, it borrows heavily from the style of Fleischer cartoons. It’s a tad more polished than Tengu Taiji and offers some fun gags as the tanuki and fox one-up each other with magic tricks and transformation.

Kori no Tatehiki

Yasuji Murata offers up another folktale in the same style as Kobu Tori with his film, Umi no Mizu wa Naze Karai (Why is Sea Water Salty?, 1935). Though this film hasn’t been preserved as well as Kobu Tori, you can clearly see how much more skillful Murata became in just a few years. The animation is incredibly refined and it’s nearly impossible to tell that it’s made using paper cut-outs. The entire film shines as a story clearly told by someone who has mastered the elements of visual storytelling.

Umi no Mizu wa Naze Karai

One of the first manga characters to gain widespread popularity was Norakuro. Created by Suihou Tagawa in 1931, the manga focused on a stray dog who joined the dog army, clearly an allusion to the Imperial Japanese Army. He began his army career as a bumbling private and eventually rose through the ranks to become a less-interesting sergeant. The manga, and the cartoons it spawned, did not start out as propaganda, but as the the war began and escalated, Norakuro became an obvious choice for propaganda-tainment. This particular anime adaptation, Norakuro Nitohei (Norakuro, Private Second Class, 1935) was directed by Mitsuyo Seo.

Norakuro Nitohei

Hecks yeah! Ninjustu Hinotama Kozo: Edo no Maki (Ninja Fireball Boy: An Episode in Edo, 1935) is a one minute adventure of ninja silliness. One source claims that it is a longer cartoon truncated for personal viewing, but we’ll never know for sure because this is the only copy in existence. Everything happens so fast, it’s hard to tell what’s taking place. It definitely involves a lot of ninja magic. Please leave your idea of what the heck is going on in the comments below.

Ninjutsu Hinotama Kozo: Edo no Maki

Obake no Taiji (Monster Hunt, 1936) is another dose of serious fun. It’s a tad crummier than Kori no Tatehiki, but what it lacks in technical presentation it makes up for in creativity. It’s rather reminiscent of Fleischer Studios’ 1930 Bimbo cartoon Swing You Sinners! in that it shows a lot of imagination in its setups, character transformations, and villains.

Obake no Taiji

Forgotten Artists

Toward the end of the 1930s, most cartoons began to lean in the direction of war propaganda. That, in itself, is an interesting study, especially since the quality of Japanese animation began to approach that of Disney. Furthermore, most all the anime from this period was directed by one man, Mitsuyo Seo. He directed the first feature-length anime, Momotarou Umi no Shimpei (Momotarou: Divine Sea Warriors, 1945), which was financed by the Japanese Navy.

In 1948, the Toei Animation studio was founded and began situating itself to become the Disney of the east. It produced a good number of interesting shorts and features which had a predominant Disney aesthetic. The 1950s were an interesting decade for Japanese animation because several creative forces were taking anime in different directions, and it’s fun to imagine what anime would look like today if something other than Tezuka had succeeded in capturing Japan’s collective consciousness. However, destiny chose Osamu Tezuka as the god of manga (and by extension, anime) and no one can say he doesn’t deserve that title. Anime’s characteristic big eyes came from Tezuka’s fascination with Disney’s Bambi, and its signature character movements came from Tezuka’s plan to temporarily limit animation to cut costs, a plan that eventually became permanent and was adopted by the entire industry.

There is a good reason that most retellings of anime’s history begin with Tezuka. What we know today as “anime” started with him. However, a history of Japanese animation is not complete without Kouichi, Kitayama, Murata, Ofuji, and many others. These artists are seldom remembered though they worked exceptionally hard to compete with well-funded foreign animation. All of them succeeded in creating Japanese art in an imported foreign medium, and a few of them succeeded in turning their practical limitations into artistic assets. These artists are mostly forgotten because the influence they have on our present is much less than the ongoing influence of Osamu Tezuka. But when you watch these early anime, try to imagine the affect it had on the people in the time it was made and how important it was for them to see samurai and tengu in the same medium as Mickey Mouse. Most entertainment and art we consume today will not be remembered in a hundred years, because people in that future time won’t understand our context. But that doesn’t make our art any less important. Nothing can devalue it for us. And nothing can change how important any piece of art was for people who saw it in days gone by.

Bonus Wallpapers!

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Sources:

• The Anime Encyclopedia by Jonathan Clements & Helen McCarthy
• Manga! Manga! The World of Japanese Comics by Frederik L. Schodt
• A Hundred Years of Japanese Film by Donald Richie
• Nishikata Film Review by Cathy Munroe Hotes
• AnimeVice.com Encyclopedia
• Antti Alanen: Film Diary
• Pioneer of Japanese Animation at PIFan by Jasper Sharp [Part 1] and [Part 2]
• Japanese Animation Filmography Project by Cathy Munroe Hotes

While my “you can’t learn Japanese from anime” words were meant for those people, there is a way to watch anime where you do actually learn something. In fact, you can learn quite a bit if you try really hard. That’s what language learning is, isn’t it? Whoever tries the hardest is the winner, and the method (while important) doesn’t dictate whether or not you make it to the end. So, in order to help those of you who are learning Japanese and just happen to have an anime addiction, this article is for you.

Step 1: Ditching (Then Unditching) The Subtitles

First thing is first. You gotta get rid of the subtitles. If there’s English (or any language you’re proficient in) anywhere on the video screen then you’re doing yourself a disservice. The human brain takes the easy way out 99.9% of the time. If the option is there and it doesn’t hurt all that much it will take that option. If the subtitles are there it will process the subtitles – the Japanese audio in the background will not be processed.

A lot of anime, whether it’s on Netflix, Hulu, Crunchyroll, or *ahem* some other source, will have the option to remove the subtitles. With the first few sources, that ability is in the video options. With the “other” source, that option is usually under “video” in VLC (if that’s what you’re using to play these video files). If the option isn’t there, then you’re not going to be able to study using that video so I’d suggest trying something else.

After that, it’s time to get some subtitles.

“What?” asks the person living inside this article. “But I thought you told me to get rid of them!”

Well, good citizen, this time we’re adding in Japanese subtitles. Sometimes you’ll be able to turn on Japanese subtitles. Other times you’ll have to download them. There are various sites out there (Google it), but this is one of them. One way to go about it is to look through this list and find things you either like or are interested in. That will help you out in the future, because studying with anime actually takes most of the joy out of anime (warning you now). It is hard work, after all.

You’ll want to download the subtitles and add them to your video. Usually this just involves putting the subtitle file in the same folder as the video it belongs to. Other times you can load the subtitle file via the media player you use. If you’re not familiar, you may have to do some searching around to get it working. It will also depend on the subtitle file type too.

Step 2: Laying The Groundwork

This is where things get… study-y. Certain subtitle types will have trouble with this. Others will work a-ok. Using a text editor (or often cases an application you’d use to program with, like Sublime Text) open up the subtitle file. You may need to change the encoding of the file to Japanese as well. Just something else to look out for.

If you’re on the intermediate-to-advanced side of your Japanese learning journey, you can stop right here. If you’re on the more-like-a-beginner side, keep reading this section.

For you, this is going to be really hard. It’s not going to help you to just look at things and read them, as it will probably take forever and you could be using your time much more effectively somewhere else (like by learning kanji, or really most anything). If you’re at a more intermediate level, but perhaps a lower one, it might be helpful to download the English subtitles of the same anime and episode as well. You can open them like the Japanese ones and then use the timestamps to compare the Japanese with the English meaning. Don’t use this as a crutch, but use it to make sure you’re not completely off with any translations (and to help you when you get stuck). In addition to intermediate level learners, this can be helpful for advanced learners as well. Just use this crutch less and less the less you need it. Remember, our brains just take the easy way out whenever they are able so don’t trust it!

Step 3: Break Out The Vocab

Go through each word and make sure you know the meaning of it. If you’re having trouble figuring out what word something is, plop it into the search field in beta Jisho (or regular Jisho if you’re reading this in the future), which will take words in sentences then break them down into usable, more easily definable pieces. I’d recommend writing down all the words you don’t know or putting them in a spreadsheet. This isn’t so much for study but for keeping track of what you’re learning. The more you treat learning like a science with data the faster you’ll be learning in the long run. Plus, it’s nice to come back and see what you know and don’t know later on when you’ve been doing this a while. It will also make it easier to make sure you’re not doubling up words.

After you have them in a spreadsheet, put them into your SRS of choice. Some of these applications will let you import via a spreadsheet (how convenient!). You’ll want to use your own vocab studying method here, as there are many (and people like doing their own thing). The most important thing is you learn all these items before moving on to the “watch the episode” step.

Continue pulling out vocab and learning them until you’ve finished a “scene” in the anime. This is going to depend on the anime. This might take a long time for you or it might be fairly quick. Just know that the more you do this the faster it will go. Each time will be better than the last but the first 10-20 times is really, really painful.

When you know all the words in a scene, it’s time to take a look at the scene itself.

Step 4: Can You Read It?

Make sure you can read everything on the Japanese subtitles. Read it out loud, because this is a lot more telling than reading it in your head. You don’t have to be able to read it at the speed of the anime (yet), but you do need to be able to read it at a moderate speed. Once you are able to read it it’s time to fire up the video file.

Step 5: Shadowing

Now we’re going to do something called “language shadowing.” This involves reading the text along with the speaker, in this case the anime character, narrator, or whatever. This is a lot like singing along with a song. You learn the tones and intonation of a song when you do this, until you can sing the song somewhat in tune (your friends will disagree). Shadowing and reading along with someone speaking is a lot like this and will help you develop pronunciation abilities. That being said, be careful to not mimic people who don’t sound like people… In anime this is much more prevalent, so if you don’t know what you’re doing you could be training yourself to sound like a weirdo.

Various video players will have various options, but VLC has a “jump back X seconds” shortcut. Look it up for your operating system and use that to jump back over and over to the same sentence or two until you’ve perfected it and can speak up to speed. Once you’re able, move on to the next one until you’ve finished the whole section. Now go back to the beginning of the section for one big hurrah of a speak through. Do you feel like you’ve learned something?

Improving Over Time

The good things about this method of study are that it teaches you a lot of vocab over a long period of time, it helps with pronunciation, and is hopefully fun for you. The bad things? It’s hard. Damn hard. Especially if you’re not an advanced learner. That being said, I’d recommend this for advanced learners and maybe some motivated upper-intermediate ones. After doing this for a while (months, probably) you’ll start to really see an improvement. It will feel like you’re beating your head against a wall for a long time and then suddenly *bam!* you get better. That’s because getting better at a language is more like climbing up a giant set of stairs. You can’t see where you’re going until you reach the top of the step you’re working on.

I hope this article helps you to turn your anime addiction into something a little more studious. If not, well, at least you’re having a good time I suppose.

Since studying this way involves a lot of kanji knowledge, one way to make this type of study more effective and time-efficient would be to learn more kanji. Of course, we do WaniKani for doing that, but there are of course other methods as well.

Bonus Wallpapers!

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Witch Craft Works (John)

Well, the show seems to have something to do with witches and the supernatural. The main characters are a high school boy who is super average and even picked on occasionally by the other students. The other main character is a girl from the same high school who is basically treated like royalty by the rest of the students. She also happens to be a witch. Antics ensue.

The art and colors are very nice in this one, so that’s what first drew me to the show. The animation and action sequences ain’t too shabby either. As for the story and characters, they didn’t really grab me or hold my interest much. I feel like the show might have some potential as it does a lot of things right, but in the end it just doesn’t feel all that satisfying. Plus the school’s unhealthy attachment to the main girl is really annoying.

Watch if you like: Busty high school witches and unpopular boy leads combined with lots of magic.
Chances I’ll watch another: Very low. The show didn’t really grab me.
Rating: 2/5

Space Dandy (John)

This was actually the only one I’d heard of before the season started because apparently it is also coming to American TV. Whether that’s a good or bad thing, I don’t yet know. Anyway, the show is about a dandy in space (surprising, right?) who is super interested in treasure, lady parts, and alien hunting. Everything takes place in a galactic future with robots, spaceships, and aliens.

I really like the opening to this show. It’s groovy. Everything else is really well done too. The colors and animation are great. So is the music. The robots and aliens are original and entertaining. The show has action and it’s also funny. Enough happens in the first episode to keep it interesting but enough to make you want to see more to discover what’s going to happen and where the story is going. I can definitely see why this is already coming to America.

**Note: I only watched the first episode, so reading Koichi’s review below made me really sad :( Damn you, Space Dandyyyy!!

Watch if you like: Funny roguish leads in an interesting galactic setting.
Chances I’ll watch another: Very high. This show is really entertaining.
Rating: 5/5

Second Opinion (Koichi):

This is one of those shows with great art style, great music, and very little depth. Not only is the story itself a cheap way to allow the author to write multiple non-connected episodes with hardly any story at all (spoiler alert: each episode is a separate dimensional thread where anything can happen!), but almost every character decision has no weight to it, and things “just happen” (as you may be able to tell, I’m more of a cause and effect kind of guy).

Even if you judge the show on an episode-to-episode basis it lacks a lot in the way of good cause and effect story telling. The characters are shallow and uninteresting after a couple of episodes and if you were hoping for another Cowboy Bebop… well, keep looking space cowboy.

I will say that I enjoy the art-style and music, though. It’s just about the only thing keeping me moderately interested. We’ll see how long that lasts, though.

Watch if you like: Good art, good music, bad storytelling.
Chances I’ll watch another: Diminishing with each passing episode.
Rating: 2/5

Tonari no Seki-kun (John)

This is another one of those short shows. This first episode clocks in at just under 8 minutes. The show is about two kids in a class. A girl and the guy who sits next to her. The guy doesn’t really pay attention in class and just plays with things the whole time and the girl can’t help but be distracted and often tries to stop his antics.

I actually really like this show. I’ve never liked these short ones before, but this one is really funny. The guy never even talks – it’s just the girl reacting to everything he does. The show feels really smart and well done. Perfect for this sort of small dose short episode style. It’s definitely a pleasant surprise in this season. The ending song is pretty cool too.

Watch if you like: Short and sweet shows that are laugh out loud funny.
Chances I’ll watch another: High. This show is good. It’s funny and doesn’t overstay its welcome.
Rating: 4/5

Hamatora (John)

The show is about a poor private investigator who rents out a table at a bar to use at his office. The characters all have goofy names like “Nice”, “Birthday”, “Ratio”, and “Kitten”. They look for PI jobs to make ends meet and help out the community. The show seems to be mostly about solving mysteries and cases. But there’s some humor thrown in there too. Also some people in this world have special powers, so that mixes things up a bit too.

The colors are really pretty in this show and I like the style. The story and the characters however – they don’t really interest me. I feel like the show is trying to be edgy and cool and interesting, but it just wasn’t appealing to me. I want to like this show, and I feel like it could be really cool, but this first episode just wasn’t all that great in my opinion. Maybe it’ll get better eventually.

Watch if you like: Pretty colors and a potentially interesting concept.
Chances I’ll watch another: Low. While not necessarily a bad show, it just didn’t grab my interest.
Rating: 2.5/5

Noragami (John)

The show is about a high school aged phantom hunting god. He’s poor and his weaponized companion just left him. Since he’s a god, it seems like most humans are unable to see him. However, he runs into a girl who can actually see him, and she becomes the other focus of the story. He has big dreams of becoming the most powerful god in the land, but currently he’s pretty down on his luck. And once the girl sees the god, stuff starts getting weird for her.

This show intrigues me but I’m not sure how I feel about it just yet. I really like the main character and a lot happens in the show that I feel is really cool and interesting. The artwork and colors and music are all really well done too. I’m not totally sold on the show yet, but I have hopes for it. I think this show could turn into something really good.

Watch if you like: Interesting supernatural activity and funny and likable main characters.
Chances I’ll watch another: Pretty high. I’ll give this a few more episodes at least. I feel like it could be pretty decent.
Rating: 3.5/5

Super Sonico the Animation (John)

This show is about a spirited and ditzy college girl and her many cats. She’s really smart and good in school, but she’s always late and absent. She’s also a model. She’s also in a band. The show is all about her and her ordinary daily life. SOUNDS PRETTY INTERSTING, HUH?

This show is not very exciting. It’s very plain and boring and average. It’s a little gratuitous at times, especially during the model shoot. Also the main girl always wears these headphone things that I just don’t understand. They’re never explained. She also has a goofy manager who isn’t really funny – he’s just strange.

Watch if you like: Ditzy models with curvy curves and their daily lives.
Chances I’ll watch another: Non-existent. This show is not good.
Rating: 1/5

Strange+ (John)

This is another short-style episode. The main characters are trying to catch a thief who stole a golden statue from a rich man’s mansion. The episode is short but the ridiculousness is in high supply. The characters are all goofy and silly.

A bit too silly for me, actually. This isn’t really my kind of humor. Plus, at three and a half minutes, I feel like this belongs on YouTube or something more than an actual television show. Pass.

Watch if you like: Incredibly short and silly anime episodes.
Chances I’ll watch another: Next to zero. Since they’re so short, maybe I’d watch another, but not if I can help it.
Rating 0.5/5

Hozuki no Reitetsu (John)

The underworld is overrun and understaffed. It is up to Hozuki to get it all together. Most all of the characters are demons or spirits of some sort. It’s not that usual of a setting, so the characters feel very fresh and unique. The show is mainly humor based, so I’m not really sure where the story is going, but I imagine it will mostly be Hozuki cleaning up the underworld one episode at a time.

This show is hilarious. Probably the funniest of the season. I really like the animal characters in the show. The story doesn’t really interest me all that much, but I don’t think the story is really the focus of the show. It’s all about the unique characters and silly situations. I was really surprised with how much I liked this one. The colors are also really pretty. I really like the backgrounds.

Watch if you like: Funny shows with unique otherworldly characters.
Chances I’ll watch another: High. This show is really funny. I like it.
Rating: 4/5

Toaru Hikuushi e no Koiuta (John)

This story is all about airplanes. Siblings have joined some sort of air force division who have set upon a mission to discover the end of the sky. They all hope aboard a floating island and start their search. The main guy meets a girl on his first day and she’s kinda weird, but he seems to like her. There’s also a white haired dude hanging around who seems very shady.

I’m not sure how I feel about this show. I thought the premise was kind of interesting and the bickering between the siblings was entertaining, but once the main guy meets that girl it got kind of weird. It was a bit too awkward and over the top for me. I’m not sure what direction the story is going to continue in though. If this turns into a goofy romance with the air mission as a backdrop, I’m betting I won’t like this very much as it continues. But if it expands on the air missions and all that neat stuff, then maybe it’ll be worth watching more of. Time will tell.

Watch if you like: Planes and floating islands and awkward juvenile relationships.
Chances I’ll watch another: Low. I probably won’t watch any more of this one unless I hear people raving about it.
Rating: 3/5

Nisekoi (John)

The show is about a yakuza clan and the son of its current master. Everyone calls him young master and hopes he will one day take over the gang, but all he wants to do is go to a good school and find a nice steady job and live a normal life. This guy has a childhood friend he promised to marry, but hasn’t seen her since then for some reason. And then, a half American girl transfers to his school and starts causing trouble for him.

The show is a good mix of humor and the mystery of who the guy’s childhood friend might be and what all’s going on there. The main character is entertaining and his interactions with the half-American girl are amusing as well. I like the colors in this show too. A lot of the scenes are very pretty. It kind of reminds me of Love Hina in a way with the long ago promise and all that, but I like it.

Watch if you like: Funny high school romances with the occasional Yakuza diversion.
Chances I’ll watch another: Decent. I like this show, but not as much as some of the others. I might check out another episode or two, but no guarantees.
Rating: 3.5/5

Nobunaga The Fool (Koichi)

In this world there are two planets (no Jim Sturgess or Kirsten Dunst, though), which at one point were connected by the Ama-no-hashidate. That bridge was destroyed, though, so the two planets went on to live separate histories. One planet has united. The other is at war. The story follows Jeanne Kaguya D’Arc of the Western Planet, who was prophesied to be the “savior of the world” and also seems to “see things.” With Leonardo Da Vinci (who makes mechs now, apparently), she travels to the Eastern planet and meets up with Nobunaga “The Fool.” Oh, and did I mention that there are mechs along with all the samurai and medieval age stuff?

First of all, the combination of future tech with the people and history of the 1400s is a… surprisingly good fit. While samurai are battling it out on the battlefield mechs stand along side them, looking like ultra-armored versions of their companions. All of the characters are unique (and there are a lot of them), have their own motivations, and you can tell that each character’s arc is going to conflict / come together in some way as the story progresses (I hope it will, at least!).

The main problem I have is that the storyline seems to be taking the “destiny” approach, at least with Jeanne Kaguya D’Arc. It just takes away a lot of character decision which is what should be driving the story. So far so good, but I’ll need to watch more before coming to a conclusion. The potential for screwing things up with all that “destiny” crap is high and don’t even get me started on all the deus ex machina going on… at least most of it has been character driven… so far.

Watch if you like: Samurai, mechs, good storytelling
Chances I’ll watch another: Okay, fine, I’ll watch another. But I’m watching you carefully, “destiny.”
Rating: 4/5

Wizard Barristers (Cristina)

Yasuomi Umetsu has produced some pretty awesome  cult action series in the past and this time he decided to add magical lawyers into the mix. In the year 2018 humans and wizards live side by side in Tokyo. Wizards are tried by magical laws in special courts. Wizard Barristers defend those who are tried in the Court of Magic. At age 17 Cecile Sudou becomes the youngest barrister ever and begins working at the Butterfly Law Offices.

I am a huge Yasuomi Umetsu fan; films like KITE and Mezzoforte are some of my favorites. Most of his notable works have more of a cult following because of the immense amount violence and other inappropriate subjects thrown in. I think that Umetsu produces phenomenal fight scenes and so far Wizard Barristers has not disappointed me. Cecil is also a fantastic character and I love that Umetsu includes so many strong, action packed female characters in his work. The regular masses of anime fans will probably overlook this series but a niche group will surely be saying this is the best show of the winter season.

Watch if you like: Action and violence along with cute girls. If you have ever enjoyed series like KITE or Mezzoforte then this is a must watch
Chances I’ll watch another: Very high. In fact I always want it to be Sunday now because I am so excited for new episodes.
Rating: 5/5

Second Opinion (Koichi)

While I haven’t seen any episodes of this series, I just wanted to say that I’d recommend never hiring a 17-year old lawyer. You will probably end up in jail.

Pupa (Cristina)

Older brother Utsutsu is highly protective of his younger sister Yume. One day Yume becomes infected with a virus called Pupa that mutates organisms into flesh eating monsters. Yume turns into a grotesque creature and starts attacking humans and animals. Utsutsu works to find a way to properly restore his sister to human form.

I love horror anime that is done well and I’m excited to see where this will go. The only downside of this anime is that the episodes are only around five minutes long and released once a week. You don’t get a lot from every episode and I am always dying to know what is going to happen next. Luckily this series is based off of a manga so I may end up reading ahead.

Watch if you like: Gore and horror. Some of the scenes remind of of Higurashi (When They Cry) or Umineko.
Chances I’ll watch another: The episodes are so short so why not?
Rating: 3/5

Wake Up Girls (Cristina)

The story revolves around the recently formed idol group managed by Green Leaves, a small production agency in Sendai. The agency is currently in crisis after the president ran away from the company along with all the money. With the debts left in the hands of the producer, they work together to keep the group and agency alive.

I tend to not watch a lot of “Idol Group” series so I was surprised how much I was drawn in when I watched the first episode. It has a little bit less comedy than most “slice-of-life series” and a more serious storyline.

Watch if you like: Idolm@ster or other cute idol group series. The animation and music for series like this are fantastic.
Chances I’ll watch another: Fairly high. If I don’t get bored I will keep watching it.
Rating: 4/5

Shows that Weren’t Up to Snuff (John)

Nobunagun: This show is about a high school girl who is a bit of a weirdo. She always has dreams about Oda Nobunaga and that’s how the show begins. I don’t like this show. I stopped watching after 7 minutes. I did not like any of the characters and even though it seemed to try very hard to be funny, it was not. The show also had a penchant for showing subtitles explaining what was happening on screen. These were unnecessary and silly.
Rating: 0.5/5

Sakura Trick: This show is about some girls just starting high school. The two main girls are best friends and the one girl is pretty bummed out she didn’t get to sit behind her friend in class, but at least they are in the same class. I don’t really like this show. It has a lot awkward girl on girl moments and is a bit over the top for my tastes. You can also tell when the show is trying to be funny, but I just found myself groaning at the show rather than laughing at it. I stopped watching after about 10 minutes. No thanks.
Rating: 1/5

Recaps From Last Season

My two favorite shows from last season were Meganebu and Kill La Kill. I watched a few more episodes of both, but while each had a very strong first episode, I felt like they started to pitter out a bit. Meganebu didn’t really have a strong story to keep it together so I found myself losing interest in that one. I kinda felt the same way about KLK, but I’m guessing I’m not alone in that. Oh well.

Summary of this Season

All in all, this season looks pretty great. Space Dandy is definitely my standout favorite as it has an interesting story, great characters, and tons of laughs. After that, I’d say Tonari no Seki-Kun and Hozuki no Reitetsu are close seconds. They’re both really funny in their own way, but I’m not really sure what to expect from them as far as story goes, so that’s what holds them back from being as exciting as Space Dandy in my opinion.

However, since Koichi watched more episodes of Space Dandy than I did, I’ve kind of lost hope for that show since it sounds like the story won’t be a constant. That really bums me out. That being said, I’ve watched the first three episodes of Hozuki no Reitetsu and they were all great. So Hozuki is probably my top pick, actually.

So tell me, how do you think this season compares to the last one? Any of these new shows look good to you? What’s your favorite one so far? Any good ones we missed? Share your thoughts in the comments please!

In the past we’ve written a bit about Google Image search and how it’s useful for Japanese learning. For example, if you don’t know what a Japanese word means, or if you just aren’t sure about the translation you’re getting, put it into Google Image search and see what pops up. That’s all well and good for practicing Japanese language learning, but searching for images in Japanese will also tell you a lot about the Japanese society as a whole. The results will be different from your language’s search because that culture will be reflected.

I thought it would be fun to go through a bunch of image searches like this. First in English, then in Japanese. Afterwards there might even be some commentary.

*I’m using incognito mode to hopefully offset any past search bias on Google’s part. They might be using my location though, so results may vary!

Puppies

Let’s start with something adorable: the word “puppy,” or 子犬 in Japanese.

You can see that there are some similarities here, but the Japanese version has way more Japanese dogs (shiba inu). When a “dog” comes to mind in Japan, I think the image of a shiba inu (or another Japanese breed) comes to mind. Of course, there are other dogs too, but you can see the difference clearly here.

Dinner

When you put in the English word “dinner” and the Japanese word 晩ご飯, you get two completely different  results.

I think what you see here is the idea of what a “traditional” dinner is.  Of course, there are a lot of small plates and bowls on the Japanese side and there is a lot of meat and turkey on the English side. It really highlights the difference between our perceived ideal “dinners.”

Anime

When you type in “anime” and アニメ, this is the result.

I’m not sure what this says about anything, but the difference is kind of interesting. Seems like the English results produce way more fan art whereas the Japanese one produces actual anime. Maybe in terms of ratio fan art is more prevalent in English-speaking places just because of how saturated “official” anime is in Japan?

Monkeys

If you type in “monkey” in English and 猿 in Japanese, here’s what you get.

In English, you get a smattering of monkeys and apes. In Japanese, you almost exclusively get the Japanese macaque. Some of them are the infamous “Snow Monkeys” as well.

Letters

If you look up “letters” in English (talking about the kind you write and send to people in the mail) or 手紙 in Japanese, you’ll see a big difference.

Notice how the Japanese side is almost entirely handwritten and the English side is almost entirely typed out? I think that really highlights how important letters are in Japanese culture compared to how they’ve become in places like America. In fact, you might remember my earlier article “How To Write Letters In Japanese: An Introduction” where I mention the importance of hand writing (personal) letters.

Beer

Let’s see what “beer” and ビール come up with.

As you already know if you read Tofugu, there isn’t a ton of variety when it comes to Japanese beer types. You have your Sapporo, Kirin, Asahi, and Yebisu. Everything else is tiny in comparison. With the English image results, you still see some of those light beers, but there’s wayyy more variety. This basically just parallels the actual beer situation in Japan and in the West.

–

I’m sure that’s just the tip of the iceberg, too. As you can see, though, you can gain some cultural insight into a culture just by looking at the Google Image Search differences. Beer is lighter. Monkeys are more homogenous. Dinner is completely different… you get the idea.

For this kind of thing, though, one person can’t think up all of the good comparisons. So, I need your help! If you post up an English (or whatever your native language is) and Japanese Google Image Search comparison in the comments, I’ll add your name to a raffle and pick out three of your names. The winners will get Tofugu stickers because we just got some new designs in.

Yum, looking good stickers. So, three of you could win both a crabigator and a Tofugu, just for contributing your image comparisons in the comments of this article. Deadline is Friday whenever I decide to choose someone, PST. So… get it in before then. I look forward to seeing all the creative comparisons that you come up with!

Want the wallpaper version of this article’s header image? Here it is in 2560×1600.

Ha! You wish. Some people really truly love their two-dimensional partners. And this article is for those aspiring to become one of them.

When Love Is Not Enough: Love Plus

Whether it’s a two-dimensional girl or a two-dimensional 01100111 01110101 01111001 you’re looking for, you’re in luck. They come in all shapes and sizes, though mostly flat ones. But say you do get into a committed 2-D relationship. You’re serious about him/her. Would it be possible to actually marry my 2-D partner? Seal the deal? The answer is … probably not. I think this question on Yahoo知恵袋 (Japanese Yahoo Answers) sums it up quite well:

Q. 二次元の女性との婚姻届は出せますか？
Can I legally marry (do the marriage registration of) a 2-dimensional girl?

A. 戸籍（外国人なら婚姻要件具備証明書等の書類）が無いので無理でしょう。
Since they don’t have a koseki/family register it’s probably impossible.

It’s nice that the answerer actually came up with a real reason.

The person asking the question isn’t alone, though. There are, of course, many people who have fallen in love with a 2-D guy or girl (though mostly it’s a 2-D girl). One game that kept coming up in my research was Love Plus, a dating sim for the Nintendo DS.

I remember how back in the day when I played Hatoful Kareshi I became madly in love with one particular pigeon, only to have my hato broken. So, I can only imagine what Love Plus would do to me. Apparently this dating sim is convincing enough that people have actually married their Love Plus partner in real life, though I imagine the legality of said marriage is pretty nonexistent at best.

I do!

There are many stories of this out there about Love Plus destroying / creating marriages.

One man (known as SAL9000, pictured above) fell so in love with Nene Anegasaki (a character in Love Plus) that he married her and took her on a honeymoon to Guam. So, he and his Nintendo DS (I hope he has save file backups!) livecasted their trip on NicoNico and then held a public reception when they got back to Tokyo. [Source]

In another Love Plus story, instead creating a beautiful 2-D union the guy just ended up hurting his real life 3-D one. Koh (the guy), bought Love Plus for his DS just to see what the hype was about and found himself hooked. After committing himself to Rinko in the game, their relationship got deeper and deeper. She started calling him by his first name and began to demand more attention. BoingBoing wrote about this and did an interview about it, some of which is pasted below:

Koh, what do you and Rinko do together?
OK, this is pretty embarrassing. The DS has a mic and a touchscreen, so… one time, she asked me to say “I love you” a hundred times into the mic. I was on the airplane when she asked me that, so I was like, no way. There was also this part where you have to hold her hand on the touchscreen. If you touch her hand with the stylus, you get to hold her hand. And then there’s the part where you have to kiss her.

Did you do it?
No, no! The girl’s face shows up on the screen, and you have to touch her lips to give her a kiss. That’s pretty weird…. this is embarrassing. I’m sweating right now just talking about it. Yurie: Ew. Do people really do that? Koh: I guess some people do.

[...]

But Koh, you have a real woman in your life.
That’s why I was able to come back. Thank god! I was only stuck in that world for about a week. Also, I got hooked when I was in Japan on a business trip, so when I came back to San Francisco, I didn’t play it that much. Maybe just for a day. In the bathtub

[...]

Yeah, if I was playing too many games and that was compromising the time I spent in my real life, that would be a problem. It’s the same with Second Life or World of Warcraft. If I got too into something and couldn’t come back, that would be a problem. At the same time, though, the danger I felt when I almost got sucked into Love Plus was very human. If I was single and had gotten too into this… I don’t know, I recognized that there was a me in there that could have a real attachment to this artificial character on the other side of the DS screen. It made me think that humans could probably pretty easily develop feelings for AI robots. It’s the same with animals, right? Animals don’t speak words but you can really love them. But I do think it has something to do with the simplicity of men. I’d be really curious to see how women would react to a boy version of Love Plus.

[...]

So what is your Love Plus girlfriend doing now?
I’m too scared to find out. I’m probably going to get in big trouble if I open it after leaving her alone for several weeks. Maybe she’s dead now. That would be scary.

That’s a pretty edited version of the interview (read the full interview here), but you get the idea. The original interview included his wife as well, and she was surprisingly okay with it. She essentially said that as long as her husband knew that this was a game and that’s all, it’s okay with her. She was more concerned with the amount of time he played on it, more than anything. So, there’s hope for some of you guys yet!

Of course, there are other dating sims out there that dudes get addicted to, but this game is pretty high up there in terms of getting dudes in trouble. After coming out, wives and girlfriends got onto the internet to complain to Konami for stealing their men away. I can’t imagine the release of the 3DS helping out their cause any.

When You Love Sleeping

Personally, I’m a huge fan of sleeping. I do it every night, most nights. If only the person pillow I loved could be by my side during all those special unconscious moments! Wait! That’s a thing already!

If you head on over to Akihabara’s possibly X-rated and not X-rated shops, you’ll see all kinds of body pillows adorned with scantily clad anime ladies (and men). While this isn’t solely a Japanese thing anymore, I think it’s pretty safe to say that this whole idea either originated or got popularized in Japan.

One man, Nisan, was written about in the New York Times Magazine. The “how they met” story brings a tear to my eye.

Their first encounter — at a comic-book convention that Nisan’s gaming friends dragged him to in Tokyo — was serendipitous. Nisan was wandering aimlessly around the crowded exhibition hall when he suddenly found himself staring into Nemutan’s bright blue eyes. In the beginning, they were just friends. Then, when Nisan got his driver’s license a few months later, he invited Nemutan for a ride around town in his beat-up Toyota. They went to a beach, not far from the home he shares with his parents in a suburb of Tokyo. It was the first of many road trips they would take together. As they got to know each other, they traveled hundreds of miles west — to Kyoto, Osaka and Nara, sleeping in his car or crashing on friends’ couches to save money. They took touristy pictures under cherry trees, frolicked like children on merry-go-rounds and slurped noodles on street corners. Now, after three years together, they are virtually inseparable. “I’ve experienced so many amazing things because of her,” Nisan told me, rubbing Nemutan’s leg warmly. “She has really changed my life.”

Nisan of course knows she’s not real, but the love is, he says.

“Of course she’s my girlfriend,” he said, widening his eyes as if shocked by the question. “I have real feelings for her.”

It’s not just Nisan, either, though Nisan is much more public with his love for Nemutan because he takes her around everywhere. There are thousands of other people just like him who feel an emotional attachment to their dakimakura, and it’s turned into a kind of subculture where people make custom designs, sell them, buy them, and gather together to talk about them. One very important factor I learned about was the type of fabric. Smooth knit is good. I guess that’s the kind of thing you go on since the personality of the pillow is whatever you want it to be.

This culture is getting larger and larger too, it seems to me, and I don’t think it will slow down. We’ll talk about this more in the next section, but before we do that I just wanted to mention that if you’re looking for your very own special pillow someone, Tofugu actually runs the number one body pillow dating site in the world, so find Your One True Threadcount™ today!

When 2(D) Is More Real Than 3(D)

You may be wondering… why in the world would someone love a two-dimensional person??? While I don’t know from my own experience (except with my beautiful birdfriend Nageki Fujishiro. WHERE ARE YOU COME BACK TO ME!), similar themes came up again and again when I read through articles and research. Surprisingly, after reading so much I’ve come to realize it’s not actually all that weird and makes sense in a way. I’m not saying it’s for me, but I can see why people would feel and think this way.

First lets start with some general numbers about 2-D characters. How wide-spread is this phenomenon?L et’s take a look at a study done by 瞬刊！リサーチNEWS in May of 2013.

Q. Do you have an ideal man/woman from a 2-D world?

MEN (Answers：17,387)
- Yes: 33.6％
- No: 48.5％
- I don’t read manga and don’t watch anime: 17.8％

WOMEN (Answers：18,767)
- Yes: 40.9％
- Now: 42.9％
- I don’t read manga and don’t watch anime: 16.2％

Surprisingly, that’s 33.6% of men and 40.9% of women who said yes, they do have an ideal man/woman from a 2-D world. Of course, this doesn’t mean that all of these people are in love with an two dimensional character. Far from it. It does however show how anime/manga characters are personifications of “ideal” people you’d want to know or be with. With so many of them, of course you run into one or two that match the kind of girl or guy you’d want to date. But, that’s the same as with TV dramas or movies too, and these have real people in them. So, it’s not all that different from that. Children idolize cartoon superhero characters all the time. They want to be them, which isn’t all that different from wanting to be with a cartoon character, I’d say. The line that’s drawn has to do with knowing or thinking that you can be with them. I think Japan’s line is a lot harder to see.

The difference with Japan I think is the saturation of 2-D characters. If all you see is 2-D, and if this many people are able to idealize a 2-D character, then of course some of them are going to fall in love with them too. It’s still a very small subset of people that do this, but if you throw enough cats at the wall, one or two are going to stick, you know?

So what happens if you ask a similar question, but only with otakus. Someone took a group of 500 otaku dudes and polled them already, and here are the results:

Q. What Kind Of Females Do You Like?

2D Women: 23%
2.5D Women: 9.6%
Real Women: 65.8%
*2.5d = three dimensional animated girls

So, out of the otaku subset, you have around 30% of them who reportedly prefer not-real women. Of course, preference doesn’t mean you’re dating a body pillow, but you are leaning in that direction, at least.

There are a few generalized reasons why otaku dudes are more likely to fall for a 2D girl rather than a real one as well, from what I’ve read of individual experiences:

1. There are way more otaku guys than girls. So, since otakus are more likely to date other otakus (rather than outside this otaku circle), there are fewer possible girls to date.
2. It’s harder for otakus to find dates with real people. This is partly due to shyness and partly due to confidence and partly due to lifestyle choices, supposedly.
3. Otaku tend to have very good imaginations from all the anime, manga, and storytelling that they are surrounded by. The better your imagination, the easier it is to imagine the ideal personality onto a figure, body pillow, etc. The inanimate object “comes to life” in their head because of their vivid imagination.

There are also other reasons as well. Things like bad previous relationships often play a part. Not-real people won’t hurt you or leave you or cheat on you, after all. But, if you’re not 100% committed to this lifestyle you could be hurting somebody else, too! A real person! There are so many stories of desperate girlfriends trying to make their guys love them when a 2-D girl is creating competition. Here are some summaries of people having trouble with this from various blogs, forums, and websites:

One girl complained that she has a boyfriend who can only date 2-D girls… but he loves her, though he’s sick of 3-D girls. [source]

Another girl (who also likes anime) has feelings for a guy who loves 2-D. They enjoy talking about anime together too. When she asked him if he has someone on his mind, he replied by saying he only loves 2-D girls. She wants to kokuhaku but is afraid he’ll reject him. [Source]

Another post had a list of replies on why they can only love 2-D characters. One said that it’s not that they can only love 2-D, but that they’ve never been loved by 3-D. Someone replied saying that they are the same, and only 2-D girls would accept them. Another guy talked about how the more he learned about 3-D girls, the more he loved 2-D ones. Then there’s others who said that they don’t get tired of 2-D women (like they do with 3-D ones) and yet another that said they don’t want to be hurt by a real woman, so they choose 3-D. [Source]

There was also a girl I read about who loved 2-D characters. She says she’ll never be hurt this way. She pretends she’s looking for a boyfriend so people don’t think she’s weird, but she knows that if she had a boyfriend it would take time away from being able to think about her manga characters, so she doesn’t actually want a boyfriend that much. [Source]

And lastly, there’s one person who thinks that loving 2-D women is a form of evolution. I think this was the plot of one X-Men comic I read. He says that a normal guy’s brain wave reacts when they watch porn because they live in the 3-D world. However, a 2-D lover doesn’t have the same reaction when watching 3-D porn. It does react when they watch 2-D anime, though. He further goes on to state that this is proof of some kind of evolution that allows men to survive using less energy. Around 10% of otaku guys have this evolved brain pattern. Look out, lesser-humans! [Source]

So there you have it. Maybe more people than you thought are into the 2-D. Maybe you knew it all along because you’re on the front lines. Hopefully you understand better why it goes on. I think one issue out there is that most people just automatically assume all these people are serial killers. To be honest, they’re all probably nice people. Many of them lead very normal lives (besides all this). While I’m not one to be a part of this lifestyle, I’m not going to judge it as well… poke fun? Maybe a little. But, I hope you’re nice in the comments as well. Read some of the linked articles and stories, it’s quite fascinating and interesting.

Main thing is you don’t let your 2-D or 3-D loves get in the way with each other, I think. The 3-D one will win every time. Question I have, though: is it real murder if you come home to your Nintendo DS broken in half and then drowned in water?

ANGRY KOICHI SAYS BE NICE IN THE COMMENTS, OK?

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Bonus Wallpapers!

[1280x800] ∙ [2560x1600] ∙ [1280x800 Animated] ∙ [700x438 Animated]

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Early Life

Little Tezuka was born in 1928 Japan. He was the eldest of three children and his family was mainly composed of doctors, lawyers, and military folk. His father had been an engineer, but he also had a small passion for manga. He had a healthy collection in the house and was also responsible for introducing Tezuka to two of his biggest influences, Walt Disney and Max Fleischer (the man behind the Betty Boop, Koko the Clown, Popeye, and Superman cartoons).

This exposure at an early age is no doubt responsible for the path Tezuka would choose later in life. Tezuka devoured Disney comic books and movies, reportedly seeing the movie Bambi 80 times.

Tezuka grew up in Takarazuka City, and his mother often took him to the Takarazuka Theatre. You may remember this from an earlier article of ours, but the Takarazuka Revue that performs at the theatre is made up entirety of women. The theater had a large impact on the later works of Tezuka, including his costuming designs. He said he had a profound sense of nostalgia for Takarazuka due to his exposure to it as a child.

Tezuka started to draw his own manga around his second year of elementary school. Even though his parents were strict disciplinarians, they were supportive of Tezuka’s artistic interests. As a result, they kept him well supplied with sketchbooks and art materials.

After nearly losing both arms to infection as a teenager, Tezuka decided he wanted to study medicine in order to help others as his doctor helped him. All through med school he kept up his hobby of manga though. Shortly after entering, he sold his first comic to an Osaka children’s newspaper. The comic was a four-panel series called Diary of Ma-chan (pictured below). This was Tezuka’s first step into the limelight.

Having generated some interest, he soon sold another one of his works, The New Treasure Island. It was the first in a long line of Western adaptations of his. Since most of his early influences were Western, he really enjoyed taking these tales and putting his own unique spin on them. The success of The New Treasure Island brought him national fame and served as a tipping point in his career.

He asked his mother whether he should pursue manga full-time or just play it safe and be a doctor. At the time, being a mangaka (manga author) was nothing like it is today. It was not a rewarding profession at all. His mother told him, “You should work doing the thing you like most of all.” Tezuka took these words to heart and decided to devote himself to manga. However, he still graduated from med school, but he would later use his scientific and medical knowledge to lend some impressive credibility to his work.

Major Works

Tezuka made a ton, a ton, of stuff. Like really. A whole lot. Seriously. Over 500 anime episodes and more than 700 manga volumes. That’s crazy. But some of his works definitely stand out more than others. His most iconic work is without a doubt, Astro Boy. Along with this, I’d say Black Jack, Kimba the White Lion, and Phoenix are probably his top four.

Astro Boy

Astro Boy follows the adventures of a robot by the same name and a handful of other characters. The Astro Boy manga was first published in 1952 and the anime started in 1963 (see above). There was also an anime re-boot of the series in 2003. It kept the same classic art style as the original manga and anime, but was modernized with smoother animation and visuals. It combined the lightheartedness of the original anime with the darker and more serious themes of the manga and 1980 TV series.

Watching the original 1963 anime is a little surreal. It’s like watching Japanese Disney (I’m sure the English dub doesn’t help here). This makes sense as Tezuka was heavily influenced by Disney works in the beginning. Unfortunately I couldn’t find a video with the Japanese audio, so the above dub will just have to do. It’s pretty interesting I think.

Black Jack

The Black Jack manga was first published in 1973. The story follows Black Jack, an unlicensed surgeon who has miraculous talent. Scarred from childhood and rescued from near death by a doctor, Black Jack decides to become a doctor himself (much like Tezuka before he decided to pursue anime/manga).

Most of the stories involve Black Jack doing some good deed (often without recognition), curing the poor for free, or teaching some baddies a lesson. The story also got an anime reboot in 2003 (see above). It was very well received by the community. This manga also drew extensively on Tezuka’s medical knowledge and made even the most outlandish of surgeries seem at least somewhat believable.

Kimba the White Lion

The Kimba manga was first published in 1950 and the anime series (see above) in 1965. We’ve written a bit about Kimba before, so I won’t get into too much detail here, but most see it as the “Japanese Lion King” and you can definitely see some of Kimba’s influence in the Disney movie. Kimba? Simba? I know, right?

Anyway, Kimba got pretty popular with a manga, two TV series, and two movies to boot.

Phoenix

Tezuka’s life’s work was Phoenix — a story of life and death that he began in the 1950s and continued until his death. It began its first run in 1967. The manga consists of 12 books, each of which tells a separate, self-contained story and takes place in a different era. The plots go back and forth from a remote sci-fi future to prehistoric times. Several of the stories have been adapted into anime series and OVAs, and even a live-action movie.

Tezuka Dies, His Legacy Lives On

From 1950 until his death, Tezuka worked non-stop. He produced nearly 500 anime episodes all while continuing to conceive, write, and draw volumes of some 700 different manga titles. He introduced big eyed characters to anime and manga (drawing influence from Betty Boop and Bambi) and he also introduced cinematic action to manga and popularized the art in post war Japan.

I felt [after the war] that existing comics were limiting. Most were drawn as if seated in an audience viewing from a stage, where the actors emerge from the wings and interact. This made it impossible to create dramatic or psychological effects, so I began to use cinematic techniques. French and German movies that I had seen as a schoolboy became my model. I experimented with close-ups and different angles, and instead of using only one frame for an action scene or the climax (as was customary), I made a point of depicting a movement or facial expression with many frames, even many pages. The result was a super-long comic that ran to 500, 600, even 1,000 pages. I also believed that comics were capable of more than just making people laugh. So in my themes I incorporated tears, grief, anger, and hate, and I created stories where the ending was not always happy.

He basically created anime as we know it. And he also singlehandedly made being a mangaka or animator a highly respected and financially rewarding profession to aspire to.

In January 1965, Tezuka received a letter from Stanley Kubrick, who absoltely adored Astro Boy and wanted to invite Tezuka to be the art director of his next movie, 2001: A Space Odyssey. I’m surprised just finding this out now, so I can only imagine how surprised Tezuka must have been when he received this letter!

Unfortunately, Tezuka could not afford to leave his studio for an entire year to live in England, so he had to turn down the invitation. Tezuka ended up loving the film though, so he’d play its soundtrack at max volume in his studio to keep him awake and alert during long nights of cartooning.

Sadly, Tezuka passed away in 1989 due to stomach cancer. His last words were reportedly, “I’m begging you, let me work!” A workaholic to the very end, it seems. But his legacy very much lives on today with remakes of his work, a museum, and his constant influence on the industry. He continues to amaze and inspire, even though he is no longer with us today.

Influences on Others

Artists such as Hayao Miyazaki and Akira Toriyama (pictured above), have cited Tezuka as an inspiration for their works. Who knows how many other young artists were touched and inspired by Tezuka? I don’t think anyone will ever have as large of an impact on the industry as Tezuka did.

Even Miyazaki, the “current” powerhouse of anime doesn’t even come close to Tezuka in my opinion. He’s still awesome though. And besides, Miyazaki is retiring anyway. But with Miyazaki gone, who will be the next “king” of anime? Your guess is as good as mine.

In Closing

The city of Takarazuka opened a museum in his memory. Stamps were issued in his honor in 1997. Beginning in 2003, the Japanese toy company Kaiyodo began manufacturing a series of figurines depicting Tezuka’s creations. There’s no doubt that Tezuka’s influence on manga artists and animators remains strong to this day. He’s certainly left his mark on the industry.

The world of anime and manga just wouldn’t be the same without the guy. He worked crazy hard and put out a ton of great work. Certainly Tezuka deserves all the love and admiration he’s received over the years.

So, has Tezuka inspired you to become a mangaka/animator too? What do you think the industry would have been like without him? Share your thoughts down below!

Sites Referenced:
About.com
Wikipedia